Marjorie Nodelman-Niedringhaus died on January 27, 2014 at the Kaiser Hospital in Ontario, California. She is survived by her loving husband Robert, her sister and brother-in-law Martha and Bradley Lambertsen, her nieces Katie and Sophia Lambertsen, her nephew Eric Lambertsen, and many, many close and dear friends and teddy bears. 

Marjorie was born to Wilson and Florence Frescoln on November 29, 1950 in Philadelphia, Pennsylvania.  She grew up in a Quaker family with roots going back to William Penn.  Her childhood environment was rich in literature, music, and art and she was encouraged at an early age to make things with crayon and paper, thread and cloth, glue and wood, and metronome and piano.  These early experiences gave birth to a passion for the visual arts which she pursued in many forms for the rest of her life.  She earned a Bachelor's degree in Fine Arts from the Philadelphia College of Art in 1973 and went on to obtain a Master of Fine Arts degree from Yale University in 1975. 

In 1975, she moved to San Diego and began a professional career in painting and sculpture and for the next 17 years became one of the most prolific and inventive artists in the San Diego and Los Angeles areas.  Marjorie had an irrepressible joy and exuberance for life and art and maintained a very intuitive approach to her paintings and sculpture. From a sweet potato to the military industrial complex, from an art deco button to an orange cement truck, nothing was too small or commonplace to explore or be a source of imagery for her paintings and sculpture. Echoing her childhood fascination with elemental stuff, no media was too challenging to investigate and use.  She worked with paint and canvas, vinyl and thread, wood and nail guns, steel and reinforced concrete. In a deep sense, her art was egalitarian and non-hierarchical, which resulted in an openness to the universe and a purity of spirit. 

Marjorie’s uniquely circular and shaped canvases became the hallmark of her paintings until they inevitably pushed out from the wall and became painted and even upholstered three dimensional wall sculptures.  Toward the end of her career in San Diego, she moved entirely from the wall and was designing steel and wood sculptures in the round.  

In 1992 Marjorie remarried and moved to the Los Angeles area to embark on a second career as a social worker, obtaining a Master's of Social Work from California State University at San Bernardino. For the next 12 years she worked as a clinical social worker for the County of San Bernardino and then as a psychiatric social worker for the State of California.  During this period, she continued to grow as an artist, exploring conceptions of interior space in the design of her home environment, working with paint and walls, earth and plants, colored objects and furniture, always with love and affection. 

Marjorie’s ashes will be interred on June 7, 2014, next to her parents in the family’s Quaker ancestral burial ground in Springfield Pennsylvania.  She never stopped having a sense of wonder and awe with the universe. She will be sorely missed. 

   

To see a World in a Grain of Sand

And a Heaven in a Wild Flower,

Hold Infinity in the palm of your hand

And Eternity in an hour. - William Blake

 

This website was created to show the scope and evolution of Marjorie’s art. It is designed to reveal her inventiveness, passion, and prolific output during her professional career from 1975 to 1992. In addition, several paintings were included from her school years. This site has no commercial intent and Its purpose is purely informational and educational.

In order to present an accurate record of each work of art, essential information regarding each piece such as title, date, size, media employed, and present ownership were obtained from written records, friends, clients, and other sources. Unfortunately, much information is missing, especially the whereabouts, sizes, and dates of many paintings. If any visitor to this site possesses this kind of information regarding any of the artworks (including other works not currently represented and corrections to existing information), please visit the GUESTBOOK page and contact the website. This information will be greatly appreciated and the website will evolve as new works are added and and existing information is amended.